Ghost in the Machine

A seasonal offering from Tom Bredehoft, author of Foote: A Mystery Novel

“Big Jim! I need your help!”

Sometimes I hoped against hope that I’d never see him again: Max Magnusson, garden gnome. “Please use the chair, Max,” I told him, since he was standing right on top of my desk. “I can’t have you stepping all over my papers.” He didn’t need to know that the papers weren’t important, but I knew that he wouldn’t be able to sit or keep still. If he had to stand on my furniture, he could use a chair, just like everyone else.

“Ach!” he said, kicking at one of the piles. “Nothing important here.” But he did jump down to the seat of the chair. Did he sit? He did not.

“What’s going on?”

“Terrible things, Jim!” I rolled my eyes. Max was here because I work as a private investigator, and he knows I know how to keep a secret. He had first burst into my office an undisclosed number of years ago, begging me to use him as a kind of surveillance subcontractor; the business card he’d given me—full sized—listed the name of his business as “Gnome in the Home.” The elf, he insisted in later years, must have stolen the idea from him.

“So terrible that you need a bigfoot’s help?”Read More »

Searching for Answers in the Archives of Violence: An Interview with Julija Šukys

Buy Artifact : Encounters with the Campus Shooting Archives at wvupress.com

Interview by Justin Hargett

Sadly, mass shootings touch every aspect of our modern life, but your book specifically focuses on educational institutions. As someone who started high school the year of the Columbine shooting, and who was enrolled at a major public university during the Virginia Tech shooting, these specific tragedies still carry such a visceral, emotional weight for me. I’m curious how your own experiences in Montreal weighed on you as you researched the L’École Polytechnique shooting?

I was seventeen when the Montreal Massacre took place. I remember learning about it from the television news at home in the suburbs of Toronto. I moved to Montreal about eighteen months later to study at McGill University. Canadian culture and politics were deeply affected by those events, though, as I write in the book, diverse communities and regions had different responses to that terrible event. My generation of young anglophone (i.e., English-speaking) women understood the attack to be rooted in misogyny. We sounded the alarm about gendered violence and took part in (by then, longstanding) movements like Take Back the Night. In my first year at McGill, I joined a campus student group called “Walk Safe.” It was less political than Take Back the Night—quieter. Once a week, a friend and I made ourselves available to accompany anyone who felt unsafe walking home from campus in the dark, whether from the library or the campus bar. The idea was for students to look out for one another and to take responsibility for each other’s safety. Only in retrospect have I understood that this initiative, too, was a response to the Montreal Massacre. We young women wanted to claim our space on campus, our right to professional and intellectual ambitions, and to be safe regardless of how we looked or dressed.

Working in the archives for the Polytechnique chapter was difficult. It was, by far, the most challenging chapter to write, because I identified and continue to identify so strongly with the young women who were killed there. We were so close in age and in temperament. Like them, I too was a driven, ambitious student, exhausted by early December after a long semester of work. I remember in my bones how it felt to trudge to campus (even if it was a different campus in the same city; even if we studied in different languages) through snow, ice, and frigid winds. Reading the Montreal coroner’s report affected me deeply, as did reading Colleen Murphy’s beautiful and devastating play, The December Man.Read More »