What’s a publisher like West Virginia University Press worth? More now, we think, than ever before. Here are six reasons to support the state’s only university press.
In an impressive set of prepublication reviews, The Secret Lives of Church Ladies is called “triumphant” in Publishers Weekly and earns a starred review from Kirkus, which enthuses: “Tender, fierce, proudly black and beautiful, these stories will sneak inside you and take root.” Deesha Philyaw’s book is named one of “24 New and Forthcoming Books That Celebrate Black Lives” in Electric Lit, and the author appears in Pittsburgh City Paper.
Joanna Eleftheriou’s “winning and contemplative” This Way Back also receives a starred review from Kirkus. It’s called “intimate and a touch mournful, most powerfully so when the author writes about her sexuality.”
The Painted Forest is reviewed in Rain Taxi: “Gorgeously written and meticulously researched, it would be perfect for lovers of creative nonfiction—especially those with an affinity for nature writing and ecocriticism.”
In this guest post, Cyndi Kernahan (author of Teaching about Race and Racism in the College Classroom) and Jessamyn Neuhaus (author of Geeky Pedagogy) unveil Pedagogies of Care, a free multimedia resource from the authors in our series Teaching and Learning in Higher Education.
Be careful what you wish for.
After years—literally, years—of advocating, negotiating, and campus-politicking, each of us got some exciting news this spring: we were appointed director of our colleges’ small teaching and learning center. In Cyndi’s case, the position came concurrently with the creation of the center itself, while Jessamyn assumed leadership of a center sorely in need of revitalization.
At last, here was the professional opportunity for which we’d worked so hard! Passionate about teaching and learning and about the scholarship of teaching and learning, we relished the chance to facilitate educational development efforts with our faculty.
And then, well, you know what happened.Read More »
WVU Press makes its first appearance on NPR’s Fresh Air (a significant publicity milestone!), where Nancy McKinley’s novel-in-stories St. Christopher on Pluto receives a favorable review. “Like the best comic fiction, it’s constructed out of insider social observations that sting as much as they amuse.”
As the higher education community reflects on the past semester—and makes plans for the next—WVU’s books about teaching and learning continue to shape the conversation:
One of the first collections of scholarship at the intersection of LGBTQ studies and Appalachian studies, Storytelling in Queer Appalachia, edited by Hillery Glasby, Sherrie Gradin, and Rachael Ryerson, amplifies voices from the region’s valleys, hollers, mountains, and campuses. It blends personal stories with scholarly and creative examinations of living and surviving as queers in Appalachia. We’re pleased to share an excerpt from the collection, available now and shipping from our site, by contributor Matthew Thomas-Reid, collaborating with Michael Jeffries and Logan Land.
Down in the holler, I am a boy who is good to his momma: an eccentric who listens to classical music and brings a delicacy to every potluck. Being a boy good to his momma, I come from a tradition of the queer [phonetically kwar] in Appalachia. There is a rich history of the queer [kwar] in my community, from my lifelong bachelor great uncle to my father’s “rebel younger brother,” who died under unknown circumstances at the height of the AIDS crisis. Schooled in the southern Appalachian Brushy Mountains of North Carolina, queer [kwar] identity narratives abounded while queer [kwir] identities were marginal, simply too explicit to name in anything louder than a whisper.Read More »
Stian Rice is a food systems geographer and author of Famine in the Remaking: Food System Change and Mass Starvation in Hawaii, Madagascar, and Cambodia, new from West Virginia University Press. Here he shares perspective on the entwined crises of pandemic and famine.
As the curtains opened on 2020, famine watchers warned that 135 million people in 55 countries were experiencing acute food insecurity and an elevated risk of starvation. War in Yemen, an economic crisis in Zimbabwe, and a locust plague in East Africa were set to repeat as the defining challenges for the new year. In the words of World Food Program (WFP) executive director David Beasley, “2020 would be facing the worst humanitarian crisis since World War Two.” And then COVID-19 stole the show. Since then, quarantine and stay-at-home orders have strangled food supply chains. The collapse of oil prices has left some governments without revenue to feed their populations. Tens of millions, dependent on daily wages, face uncertainty over their next meals. School closures have deprived 368 million children of meals and snacks. And the strain is beginning to show: looting, protests, and ration line stampedes are being reported from Latin America to South Asia. Last week the WFP nearly doubled its estimate to 265 million facing acute hunger by the end of the year. Meanwhile, industrial agriculture in developed countries has become a theater of the absurd as farmers plow under crops, breeders kill off millions of surplus chickens, and dairy operations dump spoiled milk into fragile watersheds.Read More »
Each spring, West Virginia University’s Office of the Provost, in partnership with the WVU Libraries, WVU Humanities Center, and WVU Press, hosts an annual celebration of long-form scholarship and creative work produced by WVU faculty and staff. Due to the COVID-19 pandemic, the 2020 event was canceled, but we hope you’ll take a moment to celebrate WVU faculty through the virtual showcase linked here.
With universities pivoting quickly to online instruction in response to public health concerns, a number of authors from our series Teaching and Learning in Higher Education are in the news:
Art director Than Saffel provides a look at the DNA behind our Fall 2020 seasonal catalog cover.
“I believe that there is something in you that strives for order, and within that order, there’s a certain kind of mishmoshy confusion, and you bring this mishmoshy confusion, if you succeed, into some kind of order. There’s an element of control, and there’s also an element that just happens—if you’re very lucky.”
As WVU Press’s art director and lone production designer, I stay busy cranking out covers, interiors, galleys, ads, posters, signs, catalogs, social media imagery, and more. Most of the press’s visual sensibility originates with materials I create (or, in the case of Deesha Philyaw’s cover shown here, commission).
Update: Our warehouse in Chicago has now reopened!
In this period of extraordinary challenges—for publishing, bookselling, higher ed, and just about everything and everybody else—the staff at West Virginia University Press is committed to ensuring that the state’s largest publishing house continues to maintain a robust lineup of books and journals. Some key points: