Jim Lewis’s Ghosts of New York (WVU, April 1) has been called “a marvelous novel” by Rabih Alameddine and “masterful” by Richard Price. Lewis—the author of previous books with Knopf and Graywolf—talked with Claudia Acevedo of Vesto PR for our blog. You can hear him read from his new book here.
Was there a particular event that made you set out to write Ghosts of New York?
There was a series of them, not all of which are manifest, or even hidden, in the book itself: a reporting trip I took to the eastern Congo 15 years ago; the deaths of some old and dear friends and exes, and the regrets that they induced in me; my sense that it was time I wrote a novel set in my hometown, now that I no longer live there, and to write something about being an artist, in particular about being a photographer, since I write so much about photography in my other life.
What draws you to the idea of ghosts?
Well, they’re everywhere, aren’t they? Even if they don’t exist at all, they’re everywhere.
A lot of the book feels like a memorial. The most obvious example of this is the “Ghosts of New York: A Partial Account” chapter, which is basically an obituary for dozens of people with nothing in common except for the city they lived in. Who were they, and how did you learn/find their stories?
Oh, I made them all up. A few of the background events are real, of course: the Happy Land Disco fire, the AIDS horror, 9/11, the 1918 flu, but the others just came to me, and all of the specific characters and deaths are fictional. It was great fun to write, and I could have come up a hundred more, but I had to stop or they would have overwhelmed the living population of the book.Read More »