Category: Publishing

WVU author spotlight: Daniel Renfrew

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At West Virginia University Press we publish books in our areas of specialization by authors around the world, including WVU faculty like Rosemary Hathaway and Travis Stimeling, both of whom have written for our blog. Other members of the WVU community, of course, work with different publishers. In this post we continue to feature authors at the university who publish with other houses—part of our effort to serve as a forum for all things book- and publishing-related at West Virginia University.

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Daniel Renfrew, associate professor of anthropology at WVU, writes about his experience publishing with the University of California Press.

Last year I was proud to publish my book Life without Lead: Contamination, Crisis, and Hope in Uruguay through the University of California Press. The finished product readers view or hold is of course only a façade veiling a complex internal scaffolding of effort, time, and multistep stages involved in bringing a book to fruition. Here I outline the combination of perseverance and fortune that resulted in my book being accepted for publication, in addition to the steps, at once monumental and mundane, that got it into print.Read More »

On editorial work, imposter syndrome, and MFA degrees: A conversation between WVU Press alums Sarah Munroe and Kat Saunders

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Sarah Munroe and Kat Saunders worked as graduate assistants at West Virginia University Press while earning MFA degrees in creative writing from the WVU English department, and both have gone on in publishing—Sarah at Temple University Press, where she is an acquisitions editor, and Kat at Kent State University Press, where she is an assistant editor. In this conversation, conducted over Google Chat, they talk about how their time at West Virginia University informs their publishing work.

Sarah: I don’t know about you, but I miss West Virginia University Press. It was so chill. And the little house with the sheep.

Kat: I do too! Although I don’t miss the dead mice in the walls—only downside to that old farmhouse. What was your favorite project you worked on?

Sarah: I got to copyedit Marc Harshman’s poetry collection and work on the Eyes Glowing at the Edge of the Woods collection; they were both fun. What about you?

Kat: I worked on the reprint of Muriel Rukeyser’s The Book of the Dead, which featured a new introduction by Catherine Venable Moore. It was a stunning essay. And I loved how Rukeyser wound research through her poetry.Read More »

Partners in craft: More friends of West Virginia University Press

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In the second installment of our Booktimist series, we hear from collaborators across the world of books.

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Penny Pugh is head of research services at the WVU Libraries and a member of WVU Press’s editorial board.

It’s been my pleasure to serve on the WVU Press board for several years and to see it grow and flourish under the leadership of two talented directors. The work of a board member is indeed a pleasure. The board approves all new books before they’re published, and as part of the evaluation members read a portion of the work under consideration as well as a summary and reports from external reviewers. These glimpses into potential new titles are fascinating. After reviewing the titles, members of the board provide additional insights from our various disciplines and vote on acceptance of the title. The board also advises the director on matters of policy and practice and generally guards the reputation of the press.Read More »

Partners in craft: Three friends of West Virginia University Press

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In the first installment of a new Booktimist series, we hear from three publishing professionals who help WVU Press’s small staff bring books to West Virginia and the world.

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Jeremy Wang-Iverson with Muriel Rukeyser’s The Book of the Dead at the Brooklyn Book Festival.

Jeremy Wang-Iverson is president at Vesto PR and Books, based in Barcelona and New York.

I have helped with the publicity for WVU titles for two years now and look forward to promoting the books into 2019. It strikes me that WVU’s publishing program represents the best of university press and scholarly publishing; there are many authors and editors with interesting arguments, research, and ideas whose chief goal and ambition is having their book brought with care into the world. The limited size of WVU’s list means that this can be done for every book. As a publicist, I’m most interested in working with publishers who have been “present in the process,” as Cleveland State University’s Caryl Pagel says, and I’ve found that’s the case with the WVU team, which handles the smallest details slowly and correctly. WVU’s mix of academic titles, alongside regional and literary, is also very appealing, offering a catalog that has something for every reader. That Morgantown, just an hour outside of Pittsburgh, is a source of literary activity can only be positive; we should all encourage and support the cultural output that comes from places away from the coasts and big cities.Read More »

“Because she loved to read”: Notes on a career in publishing from Meagan Szekely, WVU Press’s former graduate assistant

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Screen Shot 2018-06-01 at 8.24.48 AM.pngMeagan Szekely is the marketing manager at Naval Institute Press. Previously, she worked as an editorial assistant at Johns Hopkins University Press and as a graduate assistant at West Virginia University Press. Meagan has a master’s degree in professional writing and editing from West Virginia University. She has worked on books about Appalachian culture, Florida manatees, World War II spies, and Victorian shoes. A native of Huntington, West Virginia, Szekely now lives in Annapolis, Maryland, with her husband and cat. She is passionate about books, Coca-Cola, and West Virginia.

From the very beginning of grad school, I lived by Jeffrey Eugenides’s words from The Marriage Plot: “She’d become an English major for the purest and dullest of reasons: because she loved to read.” To which my mother replied, “But what are you going to do with a degree in English?”Read More »

The persistence of books in an age of content: A conversation

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In recognition of West Virginia University’s long-form scholarship celebration, we’re turning the blog’s camera around for an interview with Derek Krissoff, director of West Virginia University Press, in conversation with Ryan Claycomb, interim director of the WVU Humanities Center. 

RC: Derek, at this transitional moment in the publishing industry, how would you characterize the work of university presses?

DK: I would say, without qualification, irony, or diffidence, that this is a golden age for books and for university presses. There are more books, more bookstores, more authors, more communities of readers, more publishers in general, and more university presses specifically than ever before.

Moreover, while presses are experimenting with new business models and new methods of disseminating information, our recent history has been characterized by continuity far more than disruption. At most university presses, eighty to ninety percent of sales continue to come from print, while the upstart open access model, heralded in some quarters as our inevitable future, involves something like one percent of new scholarly titles. The substance of university press books—from Thomas Piketty’s Capital in the Twenty-First Century to Safiya Umoja Noble’s Algorithms of Oppression—is more adventurous than ever. Their form, however, is essentially unchanged.Read More »

The AWP bookfair: A visual tour

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The bookfair at AWP.

Abby Freeland is the sales and marketing director at West Virginia University Press, where she also acquires fiction. She recently represented WVU Press at AWP’s annual conference, where she was an exhibitor at the bookfair.

Every year, writers from around the world gather at the Association of Writers and Writing Programs conference to talk—and maybe gossip, if only a little—about books, writers, writing, and everything in between.Read More »

A sales rep walks into an independent bookstore

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Booktimist has showcased perspectives from authors and editors, but there are many other professionals involved in making and disseminating books. Today we hear from Bob Barnett, the regional sales manager for the University of Texas Press. He sells titles to bookstores in the southern United States for a number of university presses, including WVU.

During the annual winter meeting of publishers and booksellers, American Booksellers Association CEO Oren Teicher referred to the “indie resurgence.” New independent bookstores are opening (40 last year) and sales have improved, year to year, for the past five years. According to a new study associated with the Harvard Business School, the resurgence of indie bookselling has been influenced by three factors – community, curation, and convening. On a recent trip to Florida, I had the chance to visit Copperfish Books for the first time. Based on my visit, I think it illustrates the three C’s of indie bookstore success.Read More »

Some notes on book titles

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Andrew Berzanskis is an editor-at-large for the press. Here, he offers an inside look at the acquisitions process. Find him on Twitter: @aberzanskis

If you can’t remember the name of your book without seeing it in writing, the title is too long.

When you explain the pun in your proposed book title, you have already made two mistakes.

Your book’s audience will only be as broad as the most narrow word in the title. Read More »