The holiday season brings two blurbs not for WVU Press books, but for the press itself. In the Journal for the Anthropology of North America, West Virginia is referred to as an “intellectually ambitious press that prides itself on placing regional issues in dialogue with global concerns.” And writing in the Charleston Gazette-Mail, West Virginia Poet Laureate Marc Harshman says the press “has in recent years put itself squarely on the map as one of the finest university publishers anywhere in America.” Thanks to all of our partners and friends for their support as we wrap up a big year and look ahead to another!

The publication of three new titles in our series Teaching and Learning in Higher Education means a new wave of attention. John Warner’s gift guide for educators in Inside Higher Ed starts by recommending “All of the West Virginia University Press Teaching and Learning Series Books,” saying “the series, overseen by James Lang . . . is (as the kids used to say, but probably don’t anymore) killing it.” In other series news:Read More »

Sadie Hoagland’s American Grief in Four Stages lands alongside books by Jia Tolentino, Jaquira Diaz, Sarah Elaine Smith, and others on the Electric Lit roundup of the best debuts of the second half of 2019. This fall Hoagland will read in Davis, Salt Lake City, and Lafayette, LA. Learn more at her website.

A Blue Ridge Public Radio piece about the Appalachian studies community and its reactions to Hillbilly Elegy draws on Appalachian Reckoning, quoting coeditor Meredith McCarroll and contributor Ivy Brashear. The book is also profiled in the Charleston Gazette Mail, and reviewed on the US Intellectual History blog, which praises it for “[uplifting] historically marginalized voices, such as LGBTQIA+ Appalachians and Affrilachians.”

The Gazette Mail also interviews author and series editor Travis Stimeling about his book Songwriting in Contemporary West Virginia.

Titles in our higher education series continue to attract attention. Joshua Eyler talks with Inside Higher Ed about How Humans Learn, his “incredibly well-received new book,” which also appears on the list of the 66 best education books of all time from Book Authority.Read More »

In a starred review, Kirkus calls American Grief in Four Stages “a captivating debut collection” of “assured, haunting, and deeply empathetic stories.” The volume also earns praise from Foreword Reviews, which says it’s a “terrifying, brave collection.” Sadie Hoagland will launch her book at the King’s English Bookshop in Salt Lake City on November 21.

Krista Eastman, author of The Painted Forest, is one of five writers highlighted in the “best debut memoirs and essay collections” feature for 2019 from Poets and Writers magazine. She writes of her experience publishing the book: “Then I came upon West Virginia University Press and its In Place series, which publishes books about ‘the complexity and richness of place.’ I sent my manuscript to the editor . . . who began emailing me frequently and thoughtfully, a responsiveness that evoked mild confusion until it occurred to me that the book was being read, carefully, by the people who were going to publish and champion it.” Eastman will appear at the Wisconsin Book Festival in Madison on October 19 and Milwaukee’s Boswell Book Company on October 29.

Newsweek reports on controversies surrounding the Hillbilly Elegy film adaptation, citing our book Appalachian Reckoning, which “argues against how Vance’s memoir depicts the poor.” Volume editors Anthony Harkins and Meredith McCarroll will join James Patterson, Denise Kiernan, Salina Yoon, and Orson Scott Card as headliners at the West Virginia Book Festival on October 4 and 5. McCarroll will also participate in the Boston Book Festival on October 19, and Harkins will appear at the Kentucky Book Festival on November 10.Read More »

In the first published review of The Painted Forest, forthcoming in our series In Place, Publishers Weekly praises Krista Eastman’s “thoughtful and elegant” prose, saying her “deep fascination with and love of her home state, in all its complexity and eccentricity, permeate this moving book and will live on in the reader’s mind.” Eastman launches The Painted Forest in Wisconsin in October. Details from Wisconsin Public Radio.

Bitter Southerner features “Hillbillies Need No Elegy”—a major essay by Meredith McCarroll, coeditor of Appalachian Reckoning, with photography by Roger May—along with an excerpt from the volume by contributor Ivy Brashear. The book makes Iowa Public Radio’s summer reading list, and is reviewed—alongside Matthew Ferrence’s “thoughtful, meditative” Appalachia North—in the Pittsburgh Post-Gazette.

Appalachia North is positively reviewed, as well, on Brevity‘s nonfiction blog, which also praises Cassandra Kircher’s “inventive and supple” Far Flung.

For the fiftieth anniversary of the Stonewall uprising, Pittsburgh Current interviews volume editors Jeff Mann and Julia Watts about LGBTQ Fiction and Poetry from Appalachia, “a testament to the survival of Appalachian LGBTQ folks.”Read More »

Greg Bottoms’s Lowest White Boy is excerpted in the “Readings” section of Harper’s—our first appearance in the nation’s second-oldest magazine. Seven Days, Vermont’s alt weekly, praises the book for its “alchemy of lyricism and down-home telling-it-like-it-is.”

In our first appearance in the Times Literary Supplement, Appalachian Reckoning is called a “vibrant” collection of “rigorous, passionate” essays. The volume also lands alongside books by Colson Whitehead and others on the summer reading list at Bitter Southerner, and appears in The Baffler, Nashville’s The Contributor, and the podcast Reading Women. Coeditor Meredith McCarroll takes to CNN.com with the essay “Anthony Bourdain Listened to the Voices Hillbilly Elegy Ignored,” and the editorial team behind the book continues to be active on the interview circuit. McCarroll talks with WFDD radio in Winston-Salem, her coeditor Anthony Harkins talks with the podcast America’s Democrats, and the two team up for the podcasts Working History and New Books Network.

Ryan Boyd considers “How Humans Learn and the Future of Education” in the Los Angeles Review of Books, calling Joshua Eyler’s book “a splendid repository of ways to rethink how we teach college.”

In other news from our Teaching and Learning in Higher Education series, Jessamyn Neuhaus’s Geeky Pedagogy appears in the Inside Higher Ed preview of fall highlights from university presses. The SUNY Oswego podcast Tea for Teaching features interviews with both Neuhaus and Derek Bruff, author of Intentional Tech.Read More »

In a first-of-its-kind public scholarship collaboration, the Lexington Herald-Leader dedicates its entire May 5 opinion section to work from WVU Press, running three essays, a poem, and photography from Appalachian Reckoning. Harkins and McCarroll’s book also generates interest in Michigan, where the Petoskey News-Review features a personal response by columnist Glen Young. Editors and contributors from the volume will appear in Greensboro, Wake Forest, Hendersonville, and Atlanta in May, and a recent appearance at Parnassus Books in Nashville will be broadcast on C-SPAN on May 19.

Amy Alvarez of the WVU English department takes to the Los Angeles Review of Books to talk with Greg Bottoms about Lowest White Boy, new in our series In Place. Bottoms is also interviewed in Pittsburgh Current, and “Growing Up at Ground Zero of American Apartheid,” an excerpt from the book, is featured in Literary Hub. Another excerpt is slated to appear this summer in a print publication with roots in the nineteenth century. Watch this space!

North Carolina Public Radio’s “The State of Things” features an interview with Valerie Nieman, author of To the Bones. Nieman will appear in Greensboro, Pittsburgh, Wheeling, Charleston, Richmond, Huntington, Asheville, and other cities this summer.

“Pittsburgh is very much a part of Appalachia . . . The fact that ‘very few people’ in our area ‘actually see themselves as Appalachian’ encouraged Ferrence to explore the tensions surrounding that identity.” Pittsburgh Magazine reviews Matthew Ferrence’s Appalachia North.Read More »

Two of West Virginia University Press’s books won awards from international scholarly societies this spring. The Politics of Lists received the Julian Minghi Distinguished Book Award from the Political Geography Group of the American Association of Geographers, and The Argument about Things in the 1980s received the Arthur Miller Institute First Book Award from the British Association for American Studies. Congratulations to authors James Tyner and Tim Jelfs.

Appalachian Reckoning continues to receive attention.

• In WVU Press’s first appearance in Salon, Erin Keane positions the book among a “cohort of dazzling Appalachian talent” offering alternatives to Hillbilly Elegy.
• Keith Wilson’s contribution to the volume, the poem “Holler,” is featured in Literary Hub, and the book receives coverage from public radio and the alt weekly newspaper in Louisville.
• West Virginia Public Radio’s Inside Appalachia also profiles the book.

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Appalachian Reckoning: A Region Responds to Hillbilly Elegy is reviewed by Dwight Garner in the New York Times. He calls it “the most sustained pushback to Vance’s book . . . thus far,” and “a volley of intellectual buckshot from high up alongside the hollow.” Robert Gipe, a contributor to the volume, also appears in the Times with his op-ed piece “Appalachia Is More Diverse Than You Think.” This much-talked-about book receives additional reviews in the Daily Yonder and Chapter 16 from Humanities Tennessee, and Letitia Montgomery-Rodgers interviews the volume editors for Foreword Reviews. The title’s Morgantown launch event is available to view in its entirety thanks to the WVU College of Law.

Michael Clay Carey’s The News Untold received the Weatherford Award for the year’s best nonfiction book about Appalachia from Berea College and the Appalachian Studies Association. Tom Hansell’s After Coal was a runner-up. WVU Press is fortunate to have received two Weatherford Awards in the last three years, and to have had four finalists.

Foreword Reviews calls LGBTQ Fiction and Poetry from Appalachia “an immersive exploration of queer life within the confines of a conservative American subculture.” Editors Jeff Mann and Julia Watts will join contributors to the volume for a launch event at Malaprop’s Bookstore in Asheville, NC, on April 22.

Also in Foreword Reviews, Cassandra Kircher’s Far Flung is praised as a collection of “intimate and moving essays on nature, family, and adventures in the wild.”Read More »

In an Associated Press piece run by the Washington Post and others, Russell Contreras calls Matthew Ferrence’s Appalachia North “a lyrical homage to a region often misunderstood and overlooked,” saying “Ferrence’s engulfing prose brings to life an Appalachia north of the Mason-Dixon line.” The Indiana (PA) Gazette profiles the book in anticipation of Ferrence’s appearance at Indiana University of Pennsylvania on March 20.

Publishers Weekly calls Appalachian Reckoning: A Region Responds to Hillbilly Elegy an “impassioned collection of Appalachian regional art, essays, and poetry,” commending the volume for demonstrating that, despite stereotypes, “resilience, hope, and belonging are in Appalachia, too.” The book is also featured in the Pittsburgh Current and reviewed in the Bowling Green Daily News, which says: “If you read Hillbilly Elegy, you definitely need to pick up a copy of Appalachian Reckoning.” Editors Meredith McCarroll and Anthony Harkins will join contributors to the volume for a launch event at West Virginia University on February 25.

Booklist praises Capitalist Pigs, comparing it to one of the foundational texts of environmental history: “In the vein of William Cronon’s Nature’s Metropolis, this is a meaty, accessible, and clear-eyed agricultural history.”Read More »