Humans, in recent memory, invented a way of looking at students’ learning. We in the United States call it grading; in Canada, the United Kingdom, and elsewhere, they distinguish between marking on particular assignments and final grading. Though grading seems natural, inevitable, a part of the very fabric of school, it isn’t. It was created at a certain moment, for certain reasons not entirely well thought out, and then became embedded in the structures of schools for most students.
But because we invented it, we can uninvent it. We can remove it.
West Virginia University Press’s new bookMountains Piled upon Mountains: Appalachian Nature Writing in the Anthropocenefeatures nearly fifty writers from across Appalachia sharing their place-based fiction, literary nonfiction, and poetry. The excerpt below is from the essay “Forest Disturbance” by Katie Fallon, who is the author of several books, has taught at West Virginia University, and now teaches in low-residency programs at West Virginia Wesleyan College and Chatham University. Mountains Piled upon Mountains, edited by Jessica Cory, is available now on our website.
Isabelle stands directly on top of the running buffalo clover (Trifolium stoloniferum), a federally endangered species. Her silver Nikes crush some of the three-leafed plants, while other sprouts tangle between her feet. The US Forest Service scientist leading our small group assures us that this clover likesdisturbance—in fact, it requires disturbance to flourish—but we are nervous about obliging.Read More »
Foreword Reviews calls Cassandra Kircher’s Far Flung—the latest title in WVU Press’s series In Place—a set of “intimate and moving essays on nature, family, and adventures in the wild,” noting that “Kircher, who was the first woman to patrol the remote, isolated backcountry of Colorado’s Rocky Mountain National Park, writes about how love for the earth’s wild places is intimately tied up with who we are.” We’re pleased to share an excerpt from this perfect summer read, and encourage you to see the author on tour this July and August.
I’m eighteen. My dad, my mom, my brothers, and I are on vacation driving across Nebraska and Wyoming in our Ford LTD before making a right-hand turn at Colter Bay and heading up to Glacier National Park. Behind the Ford, we’re pulling a wooden pop-up camper, one that is hand built and swerves in the wake of our exhaust like a water-skier. My father has picked it up from the want ads.
My father has picked up a lot of new equipment for this trip: five down sleeping bags, five foam air mattresses, five rectangular backpacks, and a whole fleet of plastic containers recommended—according to my father—by camping experts: a tube for peanut butter, another for mayonnaise, a carton molded to nest half a dozen medium-sized eggs. He buys everything one afternoon from The Backwoods, the only mountaineering store in Omaha. He also purchases an expedition tent in which my youngest brother and I will sleep. The tent features a snow tunnel and a little half-moon panel that can be zipped out of the floor in case you want to light a stove indoors and brew a cup of tea during a blizzard.
“I think,” my brother says with a maturity way beyond his twelve years, “that Dad might be feeling his midlife.”Read More »
Paint Creek. Cabin Creek. Holly Grove. Cesco Estep. Mucklow. Frank Keeney. Mother Jones. Solidarity Forever. The places and the people of the Paint Creek–Cabin Creek Strike are buried deep in the American memory of the labor movement and the working-class struggle for rights and justice. The strike occurred in the “age of industrial violence,” before there were laws to govern labor relations, and for many it revealed the darkest depths of capitalism in America but also the indomitable spirit of workers organized in the face of great odds. Despite its tragic loss of life, despite its importance in the history of the United Mine Workers of America (UMWA), and despite being a cause célèbre among the labor activists of the era, this conflict in the heart of the Appalachian coalfields remains little known today except among historians and the coal mining families of southern West Virginia.Read More »
Tom Hansell’s After Coal will be published by WVU Press in November. The book traces a long-term exchange between mining communities in Appalachia and Wales, looking at how resonances between these regions—often depicted as victims of globalization—can be a source of strength. As Hansell puts it: “Taken at face value, international commerce seems to erode community self-determination, but can international connections also support local control?” Read More »
Rosemary Hathaway is associate professor of English at West Virginia University. She’s writing a book about the idea of the Mountaineer in West Virginia history and folklore, which will be published by WVU Press. Here’s an early look at her work-in-progress.
Although a number of students had informally dressed up as the Mountaineer for sporting events as early as 1927, when Clay Crouse volunteered for the position, the first “official” Mountaineer, selected by Mountain Honorary – as it still is today – was Lawson Hill, in 1934. Notably, this was the same year that witnessed the advent of comic strip characters L’il Abner, The Mountain Boys, and Snuffy Smith. Kentucky Moonshine, the big-screen vehicle for the comic-strip Mountain Boys, would come out in 1938, a year after Mountain formalized its selection process for the Mountaineer, choosing “Slim” Arnold for the position, a role he would perform for three years.Read More »