Jessamyn Neuhaus is a professor of US history and popular culture at SUNY Plattsburgh, a scholar of teaching and learning, and a recipient of the SUNY Chancellor’s Award for Excellence in Teaching. Her book Geeky Pedagogy is new in WVU Press’s series Teaching and Learning in Higher Education.

When I first began thinking about writing a book on teaching and learning in higher education, I knew who I most wanted to reach: geeks, introverts, and nerds (GINs) like me—the eggheads and experts who are fluent in studying, pondering, thinking, and researching but for whom teaching effectively doesn’t come naturally or easily. As I state in the introduction of Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers: “Emulating other writers and commentators today who are proudly self-identifying as geeks and nerds, expanding the definition of geek culture, and challenging negative stereotypes about nerds, I use ‘geek’ and ‘nerd’ as an occasionally self-deprecating, but also affirming and celebratory way of describing certain characteristics we in higher education often share and which have an impact on teaching” (3). Because I am a professor and lifelong consumer of popular culture, I leapt at the chance to pay homage in the book and chapter epigraphs to my favorite geeky books, movies, and entertainment franchises. In this post, I reflect on a few of these geek culture touchstones.

“Grade me. Look at me! Evaluate and rank me. Oh, I’m good, good, good, and ohso smart! Grade me!!!!” –Lisa Simpson, “The PTA Disbands,” The Simpsons

Lisa Simpson is one of the most widely viewed popular depictions of a nerd. In “The PTA Disbands,” a teacher’s strike cancels classes and soon brainy, straight-A student Lisa goes into academic withdrawal. I chose this quote for Geeky Pedagogy’s book epigraph in part because I love that one of pop culture’s most famous nerds of all time is a socially awkward little girl who (most of the time) finds enormous satisfaction in her intellectual prowess. Additionally, in the book I argue that many super-smart people teaching college classes started out as students like Lisa, which makes us great scholars but can hamper our teaching efficacy, since most people don’t especially love school and especially dislike being graded. In Geeky Pedagogy, I explore how awareness of and preparing to bridge this potential gulf between GIN professors and our students is essential for effective teaching, and it can start with acknowledging all the traits we may very well share with little bookworms and brainiacs like Lisa Simpson.Read More »

Meaningful Grading: A Guide for Faculty in the Arts, by Natasha Haugnes, Hoag Holmgren, and Martin Springborg, was published this summer by WVU Press. Written as a guide for postsecondary arts instructors in all stages of their careers, the book addresses issues of perennial importance in all arts disciplines.

These are the three main questions that drive Meaningful Grading: 

• How can faculty in the arts grade student work in ways that improve learning and support artistic  development? 
• What does effective grading in the arts look like?
• How can faculty in the arts develop and  improve their teaching and grading over the course of their careers?

The contents are written in tip form, and arranged to mirror the flow of an academic semester, so that information can be located and implemented quickly and easily. Here we share an excerpt from the section “During the Semester.”Read More »

James M. Lang edits WVU Press’s series Teaching and Learning in Higher Education and is also coeditor of the latest series book, Teaching the Literature Survey Course. With a new semester and the annual meeting of the Modern Language Association both on the near horizon, Jim agreed to share a version of the book’s introduction.

When I was an undergraduate in the late 1980s and early 1990s, I took the three literature survey courses that were required of all English majors at my university, and that remain a staple feature of English majors today: two surveys of British literature, divided somewhere between the Restoration and Romantic periods, and one survey of American literature. All proceeded as usual throughout the American and early British surveys, but early in the semester some tragedy befell the professor of the second half of the British literature survey, and the university had to scramble to find a replacement for him to allow the course to continue. The faculty member who took over the course was a political scientist. As an undergraduate, I had no glimpse into whatever internal processes led to this outcome, which now strikes me as exceedingly strange, especially given that this was a moderate-sized research university, which likely had plenty of graduate students and adjuncts on the English Department roster already.Read More »