In this period of extraordinary challenges—for publishing, bookselling, higher ed, and just about everything and everybody else—the staff at West Virginia University Press is committed to ensuring that the state’s largest publishing house continues to maintain a robust lineup of books and journals. Some key points:
We look forward to sharing our fall catalog next month. If your access to the print catalog is interrupted, let us know and we’ll make sure you get a digital copy. Booksellers and sales reps can always access information about our new and forthcoming titles on the Edelweiss platform.
Forthcoming titles will continue to be released on schedule, with the possibility of some modest hiccups related to the temporary closure of our warehouse at the University of Chicago Press’s Distribution Center. Our colleagues in Chicago have been great, and we don’t anticipate significant disruptions.
Many print books continue to be available directly from WVU Press during the warehouse closure (currently scheduled to last through April 7), but to help compensate for any delays we’ve made all of our ebooks half offon our website. Plus you’ll receive a free digital edition immediately when ordering any print book directly from WVU.
If you’re looking for print without delay, our books are widely available at online retailers. We suggest Bookshop.org, Indiebound.org, or independent bookstores that sell directly from their own websites. Our titles are also available and shipping now from Amazon.com and BN.com.
Our staff is working offsite, but we’re excited to continue acquiring new books. If you have something to pitch, please email the appropriate acquisitions editor.
WVU’s students returned to classes today, which means the quiet days and easy commutes through town have come to an official end. Suddenly those days of the holiday break—not necessarily easier than the regular routine, but full of possibility—seem far away. To bring us back to thoughts of relaxation and leisure, and to possibly inspire your next cozy-under-the-blankets winter read, WVU Press’s full-time staff have shared some of the books they were gifted with or read over the holiday break. We bring you nonfiction, poetry, and new novels (not to mention bookstore recommendations)—and “dishwasher” comes up in two ways. Happy new year and happy reading from everyone at WVU.
On a whim at the bookstore one night last year, I bought Sy Montgomery’s The Soul of an Octopus. I’ve been intrigued by cephalopods, so intelligent and yet so alien, ever since I watched an episode of Nature featuring a deceptive cuttlefish. For several nights in a row, I interrupted my husband every few minutes to share whatever new fact I learned as I was reading. (Did you know that octopuses can regenerate their arms? Did you know they can see and taste with their skin?) My husband gifted me the perfect follow-up, and I’m looking forward to diving into this philosophical treatment of these creatures. Read More »
Sarah Munroe will join West Virginia University Press as marketing manager and acquisitions editor at the start of the new year, overseeing marketing and sales operations and acquiring a mix of literary and social justice titles. Sarah is currently at Temple University Press, and she has worked previously at the Pew Charitable Trusts and at WVU Press, where she was a graduate assistant while earning her master of fine arts degree. She received the Russ MacDonald Creative Writing Award from WVU’s Department of English. While at Temple, she has worked in literary studies, disability studies, gender and sexuality studies, and other fields.
We hope you’ll join us in welcoming Sarah back to Morgantown, and we invite you to get to know her in this blog post from the spring, in which she talks with Kat Saunders, another WVU Press alum, about graduate work at West Virginia University as preparation for a career in publishing.
We kicked off this blog two years ago with a roundup of the year’s highlights and—73 posts and 17,000 views later—we’re excited to once again provide a celebratory recap of a successful year. Our year-in-sixty-seconds feature makes room for all of 2019’s books, but necessarily leaves out a lot (including televisionappearances, bookstoresightings, and newspaper takeovers). Still, we hope this highlight reel captures some of the year’s energy, and provides a glimpse of the communities that have come together around our books. We’re grateful to them—to you—and we wish you all the best this holiday season.
If 2017 was a year of firsts for West Virginia University Press, then 2018 has been one of reach—a year in which our books and authors were in particularly broad circulation, helping propel outward the reputation of the university, state, and region in encounters from Portland to New Orleans and New York to Munich. We’re proud of our work with partners in the state’s growing literary and cultural network, like Four Seasons Books in Shepherdstown, Labor Heritage Week in Wheeling, and the West Virginia Book Festival in Charleston. In our end-of-year message, though, we start by looking further afield.
West Virginia University Press was big in Southern California this year: wewerereviewed in the Los Angeles Review of Books three times and made our first appearance in Pacific Standard; author Michael Adamson talked about his book in our series Energy and Society at the Huntington Library in San Marino; and a visit to Skylight Books yielded sightings of a half dozen of our titles (including one coauthored by WVU musicologist Travis Stimeling). “When I go into a bookstore and see the words ‘West Virginia University Press’ on a spine next to logos from the University of Minnesota and Oxford University,” said director Derek Krissoff, “it says something about the community WVU is part of. If I’m far from home and the book happens to be by a WVU faculty member, all the better.”Read More »
Natalie Sypolt is an assistant professor at Pierpont Community & Technical College. She coordinates the high school workshop for the West Virginia Writers’ Workshop at West Virginia University and has served as a literary editor for the Anthology of Appalachian Writers. Her work has appeared in Glimmer Train, Appalachian Heritage, Kenyon Review Online, and Willow Springs. She is the winner of the Glimmer Train new writers contest, the Betty Gabehart Prize, the West Virginia Fiction Award, and the Still fiction contest. West Virginia University Press will publish The Sound of Holding Your Breath, her first book, this November. Learn more at nataliesypolt.com.
The summer between my freshman and sophomore year of college, I attended the West Virginia Writers’ Workshop for the first time. I was shy, pretty awkward, and more than a little scared of the workshop leader I’d been placed with—West Virginia writer Pinckney Benedict. Now, looking back at my 19-year-old self, I’m still surprised that I actually did it. I can’t help but feel proud.
In recognition of West Virginia University’s long-form scholarship celebration, we’re turning the blog’s camera around for an interview with Derek Krissoff, director of West Virginia University Press, in conversation with Ryan Claycomb, interim director of the WVU Humanities Center.
RC: Derek, at this transitional moment in the publishing industry, how would you characterize the work of university presses?
DK: I would say, without qualification, irony, or diffidence, that this is a golden age for books and for university presses. There are more books, more bookstores, more authors, more communities of readers, more publishers in general, and more university presses specifically than ever before.
Moreover, while presses are experimenting with new business models and new methods of disseminating information, our recent history has been characterized by continuity far more than disruption. At most university presses, eighty to ninety percent of sales continue to come from print, while the upstart open access model, heralded in some quarters as our inevitable future, involves something like one percent of new scholarly titles. The substance of university press books—from Thomas Piketty’s Capital in the Twenty-First Century to Safiya Umoja Noble’s Algorithms of Oppression—is more adventurous than ever. Their form, however, is essentially unchanged.Read More »
Travis Stimeling is an associate professor of music history at West Virginia University, a series editor and author with WVU Press, and a member of the WVU Humanities Center advisory board. He was instrumental in helping bring Elizabeth Catte, the press’s new editor at large, to WVU for this week’s talk cosponsored with the humanities center and the David C. Hardesty Jr. Festival of Ideas. Here he responds to Catte’s presentation.
Earlier this week, WVU Press’s new editor at large Elizabeth Catte visited Morgantown to participate in WVU’s Festival of Ideas and to serve as a much-needed counterpoint to Hillbilly Elegy author J.D. Vance, who spoke at the university on February 21. Vance’s talk reinforced familiar negative stereotypes about Appalachia at nearly every turn—we’re deliberately ignorant, too lazy to work, and too dependent on government assistance to want to do anything to take ownership over our lives—and blamed “environmental” and “cultural” factors for the region’s problems. On the other hand, Catte—who holds a Ph.D. in public history from Middle Tennessee State University—argued that these negative stereotypes have often been deployed by people who did not always have the best interest of Appalachians at heart, including missionaries, extractive industry leaders, politicians, and even eugenicists.
Long before I was a first-generation college student or professor of rhetoric and composition, I was the son of a full-time West Virginia coal miner and part-time boxing coach, Mike “Lo” Snyder. For a short period of time, my father was one of the most respected boxing trainers in the state. For just over 40 years, he was a coal miner. I write about both sides of my father’s masculine ethos in my book 12 Rounds in Lo’s Gym: Boxing and Manhood in Appalachia, which will be published March 1 by WVU Press. It was in my hometown of Cowen, West Virginia, that my perspectives on Appalachian life were shaped by the beauty and brutality of life in coal country – experiences that continue to inform my research and writing on Appalachian culture.
12 Rounds in Lo’s Gym is about my father’s experiences but also – through stories of young fighters from West Virginia – about individual and community strength in the face of globalism’s headwinds. I hope readers will see it as a corrective to narratives that blame those in the region for their troubles.Read More »
On February 1, the WVU Humanities Center cohosted an evening to help launch WVU Press’s lovely new edition of Muriel Rukeyser’sThe Book of the Dead, with a powerful introduction by West Virginia writer Catherine Venable Moore. The evening featured an interdisciplinary panel to talk about the poems, the history, and the global context of the poems and the Hawk’s Nest Tunnel disaster that the poems remembered. While the centerpiece of the evening was Moore’s reading from her essay of the same name, the panel also included historical context from Hal Gorby (History), who presented moving primary documents from those who advocated on behalf of the Hawk’s Nest workers. Bradley Wilson (Geography) put the disaster into Union Carbide’s global history of environmental disasters, noting that the Gauley Bridge Committee of advocates may have been among the first environmental justice activists in the US. Johanna Winant (English) gave the talk presented below, which asks, “What are the ends of a cycle of poems that calls itself a ‘Book of the Dead’? And indeed, what are the ends of poetry?”
This post is the first of many that we hope will be a long and fruitful exchange of ideas between the Humanities Center and WVU Press in this space. Like the rich evening of discussion that first presented this book to the public and prompted Winant’s essay, this post is an apt beginning to an intellectually exciting partnership.—Ryan ClaycombRead More »