The author of Indigenous Ecocinema describes new ways to approach Indigenous responses to climate issues

Stephanie Foote’s Salvaging the Anthropocene series is one of our most active and provocative, offering scholarly but accessible books about daily intellectual, artistic, social, and aesthetic responses to global environmental degradation.

Introducing the concepts of d-ecocinema and d-ecocinema criticism, Salma Monani’s Indigenous Ecocinema expands the purview of ecocinema studies and not only brings attention to a thriving Indigenous cinema archive but also argues for a methodological approach that ushers Indigenous intellectual voices front and center in how we theorize this archive. Its case-study focus on Canada, particularly the work emanating from the imagineNATIVE Film + Media Arts Festival in Toronto—a nationally and internationally recognized hub in Indigenous cinema networks—provides insights into pan-Indigenous and Nation-specific contexts of Indigenous ecocinema.

This absorbing text is the first book-length exploration foregrounding the environmental dimensions of cinema made by Indigenous peoples, including a particularly fascinating discussion on how Indigenous cinema’s ecological entanglements are a crucial and complementary aspect of its agenda of decolonialism.

What inspired you to explore the intersection of Indigenous cinema and ecological issues in this book?

When I was a PhD student examining the Arctic National Wildlife Refuge (ANWR) controversy that had once again erupted in U.S. politics, I was struck by how little attention was being given to Indigenous voices and relatedly, film expressions, in mainstream media. Despite the fact that there were such vibrant and complex ways in which Indigenous communities were sharing their perspectives onscreen, I also noticed there was little ecocritical scholarship on Indigenous cinema. These early engagements with Indigenous cinema speaking to environmental concerns started my journey into Indigenous cinema’s intersections with ecological issues.Read More »

Selections from This Book is Free and Yours to Keep: Notes from the Appalachian Prison Book Project

December brings us three new books. Softie: Stories by Megan Howell and Indigenous Ecocinema: Decolonizing Media Environments by Salma Monani will each be the focus of an upcoming post.

Today’s featured title, This Book Is Free and Yours to Keep: Notes from the Appalachian Prison Book Project presents a collection of letters and artwork by people in prison that highlights the crucial work done by the Appalachian Prison Book Project (APBP), a nonprofit that provides books to incarcerated people in West Virginia, Virginia, Tennessee, Kentucky, Ohio, and Maryland. Through the words of people directly impacted by the criminal punishment system, the collection provides uncommon insight into reading practices and everyday life in prisons and jails while being an inspiration for prison book projects, prison reform, and abolition.

Simultaneously communicating the vital importance of access to books and education, and conveying the power of community, the letters sent to APBP by incarcerated people spark conversations about racism, poverty, and incarceration and shed light on the movement for accountability for state violence. This Book Is Free and Yours to Keep elucidates the violence and neglect perpetuated by carceral systems and offers a way forward based on solidarity and collaboration.

The book has excerpts from letters along with essays and poetry from APBP book clubs and WVU classes in prison; reflections from volunteers; an introduction by project founder Katy Ryan; an afterword by Steven Lazar, a former student, now exonerated; and a preface composed in solitary confinement by Hugh Williams Jr.  

“If we could find a book on the sky for me, I would love it very much.” –writer from Tennessee

“I’m sorry I burdened you with my sadness. I’ll be fine. I’ll go watch my friend the spider outside my window. I call him Big Boy because he’s pretty big. He cheers me up.” –Wayne “Gator” Bates

“Then one day the guard opened my cell tray slot and said Underwood I got a book for you. I jumped up and there it was. I said darn they really did answer my request. To make a long boring letter short, I am now sitting in a cell getting ready to take a test dealing with my G.E.D.” –Underwood

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Stepping UP to Health Humanities and Narrative Medicine with Connective Tissue Series Editor Renée K. Nicholson.

Last month we launched a new book series, Connective Tissue, dedicated to the health
humanities with a focus on narrative medicine. The series is edited by writer and scholar Renée K. Nicholson, MFA, former director of the Humanities Center at West Virginia University in Morgantown, West Virginia. Connective Tissue seeks to provide a range of books for clinicians, artists, writers, scholars, and others to more fully engage with health humanities, narrative medicine, and art in medicine. As the field of health humanities programs in narrative medicine grows, so does the need for a literature that includes creative works, critical theoretical work, and, importantly, hybrids of the two as it relates to health, illness, medicine, and related subjects. “I’m excited to see how the Connective Tissue Series will create an intentional venue for work that explores the breadth and depth of the health humanities, art in medicine, and narrative medicine,” says Nicholson.Read More »

WVU Press Steps UP for the environment: spotlight on Salvaging the Anthropocene Series

When Stephanie Foote was the Jackson and Nichols Professor of English at West Virginia University, she was moved to create a book series for environmental humanities scholarship and in 2017, the Salvaging the Anthropocene Series was announced with West Virginia University Press. Its objective – books about daily intellectual, artistic, social, and aesthetic responses to global environmental degradation through transformative practices rather than simply managing despair. Foote called for works on and for a broad range of social actors from artists and designers to knitters and activists.Read More »

The prompt: When does your press StepUP?

Like most, if not all university presses, WVU Press is mission-oriented organization with a reputation for publishing works of enduring cultural value. And often these focus on underserved populations and feature voices that are often overlooked or outright ignored.  This Book Is Free and Yours to Keep: Notes from the Appalachian Prison Book Project, edited by Connie Banta, Kristin DeVault-Juelfs, Destinee Harper, Katy Ryan, and Ellen Skirvin, documents the requests for books submitted by imprisoned people for books. Culled from over 70,000 letters received by the Appalachian Prison Book Project (APBP), this epistolary volume captures the variety of requests from individuals incarcerated in Appalachia.Read More »

AUP #StepUP Blog post – An Interview with WVU Press Director Than Saffel

Congratulations on officially taking the reins of West Virginia University Press! Tell us a little bit about yourself.

I was born in Morgantown, left with my partner Susan in our twenties and early thirties to acquire education and work experience, and returned in 1996 to live on her family farm just outside Morgantown, where we’ve raised our two kids. Like a lot of West Virginians, I’m attached to this place in a way that’s difficult to explain or understand, and seems to transcend reason.

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A Booktimist Sneak Peek of Megan Howell’s Softie

Megan Howell’s book Softie: Stories is about a fantastical range of people; a former child-star haunted by a past she can’t remember, an Afro-French girl with an obsession for earlobes, a loner whose only friend is hiding a terrible, otherworldly secret. What each of these stories shares in common are situations that are sometimes fantastical, sometimes commonplace but always strange. From a Corsican vacation-town in its off-season to hospital rooms and a seedy hotel suite in Chicago, experience the everyday come fully untethered from reality.

The following is one of the short stories from the now-available book.Read More »

Logging Lives: Unearthing the Hidden Stories of Northern Forest Workers with Jason Newton

What happened to the loggers of America’s northeast when lumber companies moved west and south in the late nineteenth and early twentieth centuries? How did communities continue to create value and meaning in these marginal lands? Jason Newton’s Cutover Capitalism provides a new perspective on the process of industrialization in America through the study of rural workers in a cutover landscape—specifically, the northern forest of eastern North America in the late nineteenth and early twentieth centuries. Justin Hargett caught up with Jason recently to discuss the book.

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Fall Roundup 2024

It’s hard to believe it’s the end of October, and even more difficult to believe that North Central West Virginia is now Northern Lights territory–but here we are. The days are getting shorter, and a chill is settling in. Whether you’re relishing the changing leaves on a brisk walk, gathering with friends around a fire, or diving into seasonal baking, this time of year invites reflection and warmth. As we hunker down for the coming cold, we’ve curated a selection of captivating podcasts, insightful interviews, fresh reviews, and a lineup of events to invigorate your autumn. 

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Joanna Allan’s Saharan Winds: A Booktimist Sneak Peek

Joanna Allan’s new book Saharan Winds: Energy Systems and Aeolian Imaginaries in Western Sahara turns to various cultures and communities across different time periods in Western Sahara to explore how wind imaginaries affect the development, management, and promotion of wind farms; the distribution of energy that wind farms produce; and, vitally, the type of politics mediated by all these elements combined. Highlighting the wind-fueled oppression of colonial energy systems, the book shows the potential offered by nomadic, Indigenous wind imaginaries for contributing to a fairer energy future.

From Introduction: The Helm

There is a consensus [ . . . ] among humanities and social science scholars interested in fairer ways to transition to renewable energy, firstly of the need to learn from the world’s Indigenous populations, and secondly on the root of the problem: corporate-led solar and wind factories are replicating the capitalist, extractivist logics of fossil fuels. Linked to this, our very understanding of energy emerged from the industrial revolution and the colonialism it fueled. However, I argue in this book that there is another factor that has determined the historical trajectory of energy injustices: climate and weather imaginaries, and therefore sun and particularly wind imaginaries, were at the center of the colonial project from the outset, pre-industrial revolution. 

[ . . . ]

In this book, I aim not only to show precisely how changing wind imaginaries shaped (and were shaped by) colonial (energy) projects in Western Sahara, but also to explore alternative Indigenous Saharawi wind imaginaries, what role these have played in resisting colonialism, and how these may positively shape Western Sahara’s energy future. (12-13)

From Chapter 1, The Sea without Water: Navigators, Traders, and Wind Pathologies in Western Sahara

Nothing but calm, green waters pawing at the shore behind him, Gil Eannes of Lagos stood in his wet boots, whitened with sea salt, and surveyed the sandy horizon for signs of life. He recalled the reception at court—as stormy as the weather—upon returning from the previous year’s voyage. Last time, the winds betrayed him. They forced his boat to one of the Canaries, north-west of his desired destination, and not even the capture of a few Indigenous islanders could placate his sponsor, the Portuguese prince.1 The Infant Henry had freshly promised Eannes glory and wealth should this current expedition be successful. “Make the voyage from which, by grace of God, you cannot fail to derive honor and profit,” the pious Prince, in his hair shirt, had ordered.2 Now, Eannes had completed his mission to pass Cape Boujdour, a feat widely considered impossible and one that expanded the European navigable world forever. But how to prove it to the Infant? 

The moist coast mists resurrected the tangled-up, brain-shaped moss. It unfurled its curling fronds, which turned from a dead brown to a radiant green—ends blushing sunset pink—and softened in texture.3 St Mary’s Rose,the most resilient of plants, thrived in deserts. Able to curl into a dry ball to protect itself when conditions were unfavorable and bloom out again when rain came, and possessing no need to anchor roots, the moss would survive the journey back to Sagres and prove that its carrier had trod the desert beyond Boujdour. Eannes scooped up the specimen and packed it carefully into a small wooden barrel.

For centuries, Cape Boujdour marked the geo-epistemological border of Western knowledge of Africa. Medieval Europeans saw the headland as the end of the world, the place where ships and their crews disappeared forever. Its name deriving from Abu Khatar, Arabic for father of danger, Cape Boujdour was a source of fear, ferocious legends, and speculation for sailors. Inland, the Sahara Desert was just as hostile as the dangerous cape, impassable to all. Fifteenth-century mariners, in the age when Europeans tried in earnest to pass the promontory, believed that “beyond this Cape there is no race of men nor place of inhabitants: nor is the land less sandy than the deserts of Libya, where there is no water, no tree, no green herb- and the sea so shallow that a whole league from land is only a fathom deep, while the currents are so terrible that no ship having once passed the Cape, will ever be able to return.

The land of modern-day Western Sahara and its coastline were understood together as one great no-man’s-land. Ghislaine Lydon argues that the long-term consequence of this European-imagined great barrier is the flawed division of North Africa and sub-Saharan Africa into diametrically, culturally, and racially opposed Africans, between which the supposed border—the Sahara—has become an understudied blind spot.5 But in the Middle Ages, this part of the world was infamous, potentially promising a sea route to the East Indies, and, on land, access to a legendary “River of Gold.”

It was not until 1434 that Gil Eannes, a squire of Portuguese prince Henry the Navigator, rounded the terrible Cape Boujdour and made it back to tell the tale.7 Chronicler Gomes Eannes de Azurara recorded this feat and other Portuguese exploits in “Guinea.”8 Guinea was the collective name for the lands south of Morocco, which was unknown to Europeans up to this time. Azurara’s texts were the first to focus on the experiences of Europeans in Africa south of Cape Boujdour. These texts also documented the start of the transatlantic slave trade.9 David Hughes has described this abhorrent trade as “the first intercontinental energy market.”10 Hughes argues that Spanish enslavers in Trinidad “invented fuel” by way of exploiting human labor on the island’s plantations, since fuel is energy that is stored in a measurable, transportable, and salable form.11 Later, charts Hughes, eighteenth-century Spanish colonists in Trinidad proposed a “solar colony” in which cacao, pulled up by the sun, would enrich Spain.12 He shows that solar energy and fuel more widely have a history tangled up with colonialism and enslavement.

But the history of European colonialism is also tied up with the wind. Seafarers of the Age of Sail had to learn which winds and currents could take them to their desired destination. In the fifteenth century, the so-called Atlantic Mediterranean, roughly comprising the seas, winds, and currents of the coasts of Morocco, Western Sahara, the Canary Islands, and the Azores, became a nursery for would-be imperialists.13 Off Western Sahara’s coast, Portuguese sailors learned to seek out the trade winds in order to travel in the desired direction.14 This movement, known as the Volta do mar, was a vital step in the history of navigation and enabled further European exploration of the Atlantic and Pacific Oceans and the resulting imperial pursuits.

It was also the terrible northwest African winds and currents that forced European ships onto reefs and made Cape Boujdour impassable for so long. This cape was a hotspot for wrecks throughout the Age of Sail. Several Portuguese navigators that attempted to follow Eannes’s route soon after him were unable to land due to “contrary winds” and “tempests.”15 For the Portuguese that made it into the desert, the inland weather was just as worthy of chronicle. Azurara noted, for example, the fascinating findings of Joao Fernandes. Fernandes was a curious fellow among his countrymen in that he was uninterested in capturing booty and enslaving Africans but urged his prince to be left in the Sahara for several months, where he hoped to learn the ways of the Indigenous peoples. An Arabic speaker, he lived for seven months with the inland nomads, where “the heats of [the] land [were] very great,”16 and was amazed that “those Moors with whom he travelled guided themselves by the winds alone, as is done on the sea, and by . . . birds.”17

While Fernandes marveled at Indigenous uses of wind inland, his compatriots, under instruction from the Infant Henry, meticulously recorded weather patterns off Cape Boujdour and beyond. Consequently, Portugal developed a priceless inventory of northwest African winds, tides, and currents, which it was notoriously reluctant to share with other European powers.18 Wind was the key to the imperial race. (23-25)

Notes

1. Azurara, Discovery and Conquest.
2. Knight, “Gil Eannes Passes the Point.”
3. What Azurara calls ­Roses of Saint Maria are most likely the moss that ­today is commonly known as ­Rose of Jericho; Monod, Les Rosas de Sancta.
4. Azurara, Discovery and Conquest, 31.
5. Lydon, “Writing Trans-­Saharan History,” 46.
6. Prob­ably a reference to Senegal River, which flowed into the gold-­producing Malian empire, although one province of Spanish Sahara was also ­later named River of Gold.
7. Branche, “Inscribing Contact,” 9.
8. Azurara, Discovery and Conquest, 6–19.
9. Blackmore, Moorings.
10. Hughes, Energy without Conscience, 144.
11. Hughes, 30.
12. Hughes, 11.
13. Fernández-­Armesto, Before Columbus, 152.
14. Fernández-­Armesto, 161.
15. See several examples in Azurara, Discovery and Conquest.
16. Azurara, 95.
17. Azurara, 94. On the use of birds for navigation, Flores Morales detailed in 1949 how Saharawis observed bird flight paths in order to find ­water sources; Flores Morales, “Tipos y costumbres,” 407–8.
18. Cartwright, “Prince Henry the Navigator.”

Joanna Allan is associate professor in global development at Northumbria University, UK.

Buy the book today at wvupress.com.