“Place is a character”: An interview with Davon Loeb, author of The In-Betweens

West Virginia University Press is pleased to publish Davon Loeb’s The In-Betweens, which tells the story of a biracial boy becoming a man, all the while trying to find himself, trying to come to terms with his white family, and trying to find his place in American society. (The official publication date is February 1, and it ships now when ordered from our site.) Kirkus Reviews calls the book “engagingly delivered, candid reflections on heritage and identity.” Here Loeb talks with Vesto PR’s Caitlin Solano for our blog.

This is a kind of second life for the book—you’re working with a new publisher, and you added a lot of new material and edited what had been published before. Can you talk about how the book has changed? 

The prefix re-, for “again” or “repeat,” can have a negative connotation, like the word “revision” can seem like “to do again” is a bad thing. I argue the opposite, that to revise and reproduce is a good thing, and the bodies of work we create are never fully complete. The first version of The In-Betweens was incomplete, lacking a narrative arc, one which I believe is now present in the new book. To republish a book feels rare, but I was given a second chance by West Virginia University Press, which shows their dedication to publishing great books no matter what shape they start off in.

What drew you to the lyrical essay form? Did you experiment with other styles of writing?

I was drawn into the lyrical essay form because so many of the chapters in my memoir were originally poems. When I entered my MFA, I was declared as a poet, but as I completed various craft and workshop courses in different genres, I gravitated towards memoir. Writing memoir felt like the perfect balance between binding narrative and lyrical storytelling.

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What we acquire: A conversation between WVU Press’s acquisitions editors

As the team at West Virginia University Press starts a new year, we wanted to share a quick sense of our acquisitions priorities for 2023 and beyond. The people who sign new books at WVU are Sarah Munroe (acquisitions editor and marketing manager) and Derek Krissoff (director). Here they talk a little about what they’re looking for. You can find contact info for both on the press’s website.

Derek: One of the things I like about working at a small press is the degree of back-and-forth, which includes our collaboration in acquisitions work. In fact some of our most successful titles in recent years have involved editorial contributions from both of us. How would you describe the distinctions in our areas and roles?

Sarah: A tricky question to start! It’s often fairly fluid between us, which I really enjoy and appreciate—we don’t have guarded territories and we talk about most projects together.

Generally I handle fiction and creative nonfiction (CNF) acquisitions, including our In Place series. You’ve given me a lot of freedom in those areas, particularly fiction (an initially alarming amount: “You’re really going to let me take a novel about a bigfoot PI?”), but when I like something or am unsure about a project, I’ll share it with you so we can discuss. Sometimes though, fiction or CNF submissions are emailed straight to you, and either because you have an established rapport with the author or because of workload, you’ve taken the lead on those.Read More »

New year’s roundup: Reviews, media attention, and author events

In an essay for the New York Times, Margaret Renkl names two WVU Press books—The Secret Lives of Church Ladies and Appalachian Reckoning—as evidence in support of her thesis that “University Presses Are Keeping American Literature Alive.” Secret Lives also appears on the year-end gift-giving guide from NPR’s Here & Now and (with Neema Avashia’s Another Appalachia) on David Joy’s list of annual favorites in Garden & Gun.

In other best-of-2022 news, Another Appalachia is named one of the year’s best books by the New York Public Library (!), Writer’s Bone, Reckon South, and Newtonville Books in Newton, Massachusetts. It is (alongside The Secret Lives of Church Ladies) one of 2022’s bestselling titles at Pittsburgh’s White Whale Books, and it’s featured on the “Ask a Bookseller” segment from Minnesota Public Radio. Book Riot‘s roundup of “The Best LGBTQ+ Books of 2022” has it as the year’s top memoir.

William H. Turner’s The Harlan Renaissance is recommended by Jenisha Watts in the newsletter from the Atlantic: “What I love about this book is that it places Black people in Appalachian history.”

Davon Loeb, author of The In-Betweens, writes in the Los Angeles Times about “How I Learned to Embrace My Black and Jewish Heritage.” His book is named one of 2023’s most anticipated titles in the Chicago Review of Books, and it’s praised in Kirkus as “engagingly delivered, candid reflections on heritage and identity.”

Bratwurst Haven also earns a rave in Kirkus, where it’s called “an excellent collection that’s likely to appeal to fans of Alice Munro and Tobias Wolff—or to anybody with a taste for emotionally resonant short fiction.” Rachel King’s book is a staff pick at Powell’s in Portland, and it’s featured in both North American Review and the Colorado Review.

Courtney Sender’s forthcoming In Other Lifetimes All I’ve Lost Comes Back to Me is recommended as “a stunner from the very first page” in Deesha Philyaw’s “Year in Reading” feature from the Millions.Read More »

Late fall roundup: Reviews, media attention, and author events

Deesha Philyaw’s remarkable run continues, with further attention for The Secret Lives of Church Ladies in the New York Times and in a feature from author Celeste Ng in Elle magazine. Philyaw is a source for PEN America’s report on Race, Equity, and Publishing, where she talks about publishing with West Virginia University Press. Her work with Freedom Reads, a program for the incarcerated, is written up in Poets & Writers.

Curing Season has a celebratory rollout, including a major review in the Minneapolis Star Tribune, where Kristine Langley Mahler’s book is praised as “an exquisite, aching memoir of adolescent girlhood.” The title and its author also receive attention in the Chicago Review of Books (“elegant”), Longleaf Review, Brevity (“distinctive”), Atticus Review, the Southern Review of Books, Diagram (“thoroughly inventive”), and Hippocampus. On November 16, Mahler will participate in a panel celebrating University Press Week at the Raven bookstore in Lawrence, KS.

Neema Avashia’s Another Appalachia is called “a love letter to Appalachia from a queer perspective” in Book Riot and praised as “stunning” in Pittsburgh Magazine. The author is interviewed at Boston.com and in Appalachian Review.

Rachel King talks with both Portland television station KOIN and the “Reading With” feature at Shelf Awareness about her new book Bratwurst Haven. King’s tour comes to Morgantown, Baltimore, DC, and Raleigh the week of November 7.

The magazine Science reviews Picture a Professor, saying it “does a service to all who would prefer a different path, offering realistic strategies to engage students in undermining scholarly stereotypes.” Congratulations to Jessamyn Neuhaus and all of the volume’s essayists!Read More »

Catalog tour: A preview of West Virginia’s spring season

Our new catalog is now on its way to mailboxes, and you can see it online here. Some highlights:

—West Virginia’s spring 2023 season includes highly anticipated life-writing by Davon Loeb and Kelley Shinn, plus short fiction (described by Danielle Evans as “impossibly strange and mercifully familiar”) by Courtney Sender.

—The latest book in our successful higher education series is about the timely topic of student mental health, and we usher in the new series Borderless with a collection of artistic and creative responses to COVID-19.

—New titles in Appalachian studies and studies of the Black Atlantic roll out alongside two new books with humanities perspectives on energy, climate, and environment.

Our small-yet-fierce cohort of spring authors comes from seven US states (plus Puerto Rico) and two continents. These are teachers, scholars, social workers, and activists—but also, of course, writers. We’re excited to share their books in the coming year, and we’re grateful for the support of our many readers.

 

“What they want to know is whether we belong in the classroom”: An excerpt from Picture a Professor

West Virginia University Press is pleased to announce the publication of Picture a Professor, the latest book in our series Teaching and Learning in Higher Education. This excerpt is from the introduction by volume editor Jessamyn Neuhaus.

Look! Up at the lectern!

Is it a teacher? Is it an educator? No, it’s . . . Super Professor!

More charismatic than a Hollywood heartthrob! Able to win over the most reluctant, resistant student with a single quip or impactful PowerPoint slide!

During class, Super Professor delivers Oscar-worthy performances, scribbling formulas theatrically on a chalkboard or eloquently reciting lyric poetry to entranced students agog at the expertise on display. Super Professor always lectures brilliantly and entertainingly, effortlessly elucidating the most obscure subject. Students hang on Super Professor’s every spellbinding word, laughing at each joke and painlessly absorbing difficult academic material simply by listening to Super Professor talk about it. Students are routinely so overcome by admiration for Super Professor’s lectures that they spontaneously burst into applause.

Super Professor appears over and over again on our TV and movie screens, quite wrongly depicting learning as a purely top-down activity whereby knowledge is simply poured into students’ heads by an irrefutable expert. He’s also usually an able-bodied, cisgendered, heterosexual White man. In this way, popular culture reflects and reinforces the myriad of political, social, and cultural discourses that gender intellectual authority as male and support what Resmaa Menakem terms “white-body supremacy” by racializing knowledge and expertise as White. Socialized and enculturated by this imagery, all too often, Super Professor is who we think of when we picture a professor.Read More »

Mid-fall roundup: Reviews, media attention, and author events

Foreword Reviews has the first published review of Rachel King’s Bratwurst Haven, which is praised as “an endearing composite portrait of a working class community in transition.” This fall, King will read at a mix of in-person and virtual events in Portland, Pittsburgh, Morgantown, Baltimore, Washington (DC), and Raleigh.

Kristine Langley Mahler’s Curing Season is reviewed in Booklist. “Through careful excavation,” it finds, “Mahler manages to create a time machine harking back to the simplicity and complexity of adolescence in 1990s America.” The author—whose fall tour includes events with bookstores in Asheville, Pittsburgh, and Lawrence—appears in Electric Lit and on Friday Live from Nebraska Public Radio. Her book is recommended as “skillful” and “agile” at the Ploughshares blog.

New accolades continue to arrive for Neema Avashia’s Another Appalachia—in Book Riot (“I devoured this beautiful memoir in one day”) and Daily Yonder (“I cannot get enough of Neema Avashia’s collection of essays”). Speaking with the Asheville Mountain Xpress, David Joy praises work by Avashia and others, saying: “I think we’re at a really beautiful moment in literature . . . where we’re finally getting a more complex and fuller understanding of the lives that are lived in this place.” Avashia talks with the Louisville Courier Journal as part of its coverage of the Appalachian Big Ideas Festival.

Charles Dodd White’s A Year without Months lands on the Garden & Gun fall reading list: “Talk about a slim book with a powerful and emotional punch. White wrestles with unfathomable loss, difficult relationships, and the loss of Appalachia, yet somehow finds beauty and truth.” The Rivanna Review is equally supportive, saying: “White is good company, a worthy son of Appalachia.”Read More »

A new history of Civil War–era West Virginia: Scott MacKenzie talks about The Fifth Border State

West Virginia University Press will publish Scott MacKenzie’s book The Fifth Border State: Slavery, Emancipation, and the Formation of West Virginia, 1829–1872 on January 1. Here MacKenzie talks with William Hal Gorby, author of our book Wheeling’s Polonia: Reconstructing Polish Community in a West Virginia Steel Town.

Gorby: West Virginia Statehood is such an intriguing story. What new perspectives do you hope to bring to this popular narrative?

MacKenzie: My goal was to un-intrigue the history of West Virginia’s formation. For 160 years, every book on the subject has explained the event in only one way. Inherent cultural, economic, social, and political differences, it goes, led the free labor-oriented counties of northwestern Virginia to separate from the slave plantation-based east at the start of the Civil War. This thesis has two flaws. First, it underestimates how much the region’s white population supported slavery. Given that the ‘peculiar institution’ caused the conflict, it is impossible that it played little or no role in the state’s genesis. Second, it focuses too closely on intra-state relations while neglecting possible broader contexts. Missouri, Kentucky, Maryland, and Delaware also believed that the remaining within the Union better protected slavery than seceding from it. I think that West Virginia formed for the same reason, differing from the others only in not being a state yet. My approach should prompt serious rethinking about the subject within the state and in the wider academic field.

Most people think slavery did not play much of a role in Western Virginia before the Civil War, but your book shows this general assumption is not correct. What role did the institution of slavery play here?Read More »

Early fall roundup: Reviews, media attention, and author events

Two years after publication, Deesha Philyaw’s award-winning story collection continues to receive accolades, with new praise in the New York Times. “Recently, I count as ideal the books that make me laugh,” says Frances Mayes in the weekly “By the Book” column. “Deesha Philyaw’s raucous The Secret Lives of Church Ladies accomplishes that.”

Kristine Langley Mahler’s Curing Season is reviewed in Shelf Awareness: “These experimental essays about place, home and the failed effort to belong are closely tied to Eastern North Carolina, but will resonate everywhere.” Mahler, who’s on tour this fall, teases her new book in LitHub.

Hippocampus adds to the growing stack of positive reviews for Another Appalachia: “To say that I loved Neema Avashia’s Another Appalachia feels like an understatement.” The author will appear in Boone, Hazard, and Charleston this fall.

In the Southern Review of Books, Tom Bredehoft’s Foote is praised as “a quirky good time of a book, one with a delightful flavor of mountain folk mystery.” The author will read from his book—called “immensely bingeable” in Weelunk—at a WVU event on September 15.

Rachel King’s Bratwurst Haven is anticipated in Boulder Weekly as one of the top five books set in Colorado: “King’s writing is as crystal-clear as a bright Colorado day.” The author’s fall tour will take her to cities including Portland, Baltimore, Washington (DC), and Morgantown.Read More »